Joan Y. Psmith,

Book # (checks notes) 13! From the "Women in Translation" rec list has been The Sunset Years of Agnes Sharp by Leonie Swann, translated from German by Amy Bojang. This book concerns a house full of elderly retirees who end up investigating a series of murders in their sleepy English town.

This book was truly a delight from start to finish. I loved Swann's quirky senior cast; they were both entertaining and raised valid and very human questions about what aging with dignity means. It did a fabulous job scratching my itch for an exciting novel with no twenty-somethings to be seen. Now Agnes, the protagonist, and her friends are quite old, which impacts their lives in significant ways. However, I felt Swann did a good job of showing the limitations of an aging body--unless she's really in a hurry, Agnes will usually opt to take the stair lift down from the second floor, for instance--without sacrificing the depth and complexity of her characters, or relegating such things merely to the youth of their pasts.

The premise of this book caught my attention immediately, but after a lifetime of books with riveting premises that dismally fail to deliver, I was still wary. I'm happy to report that The Sunset Years of Agnes Sharp fully delivers on its promise! Swann makes ample and engaging use of her premise.

The story itself is not especially surprising; if you're looking for a real brain-bender of a mystery or a book of shocking plot twists, this is not it. But I enjoyed it, and I thought Swann walked an enjoyable line between laying down enough clues that I could see the writing on the wall at some point, without giving the game away too quickly. There are no last-minute ass-pulls of heretofore unmentioned characters suddenly confessing to the crime here! The main red herring that gets tossed in the reader is likely to see for what it is very quickly, but for plot-relevant reasons I won't mention here, it's very believable that Agnes does not see that.

Agnes herself was a wonderful protagonist; I really enjoyed getting to go along on this adventure with her. She had a hard enough time wrangling her household of easily-distracted seniors even before the murders started! But the whole cast was endearing, if also all obnoxious in their own way after decades of settling on their own way of getting through life.

Bojang does a flawless job with the translation; she really captures various English voices both in the dialogue and in Agnes' narration. The writing flows naturally without ever coming off stilted or awkward.

I really had fun with this one, and I'm delighted to here there's apparently a sequel--Agnes Sharp and the Trip of a Lifetime--which I will definitely be checking out.

Last night I finished The Once and Future King by T.H. White, because I felt like it was time I made a real foray into the Arthurian legends. The actual first Arthurian book I read was The Mists of Avalon, but that was years ago and before I had heard the full story about Marion Zimmer Bradley. This book takes a decidedly different tone. I’m sticking to the most common name spellings for all of the characters here, because spellings do vary across all versions of these legends.

The first thing that surprised me about The Once and Future King is that it’s funny, and frequently in an absurd, dorky kind of way. Knights failing tilts because their visors fell over their eyes wrong, Merlin accidentally zapping himself away in the middle of a lesson because he was in a temper, the Questing Beast “falling in love” with two men dressed in a beast costume, that sort of thing. This silliness is largely concentrated in the first quarter of the book, which is about Arthur’s childhood, but it’s never fully lost.

The second surprise was how long the book focuses on Arthur’s childhood, but then again, it is setting the scene for Arthur’s worldview and the lessons he internalized as a child which shape his approach to being king.

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